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21ο Διεθνές Φεστιβάλ Θεατρικών Μεθόδων

30 Ιουνίου – 5 Ιουλίου 2025
Θέατρο των Αλλαγών, Αθήνα, Ελλάδα
 
Το Θέατρο των Αλλαγών διοργανώνει το 21ο Διεθνές Φεστιβάλ Θεατρικών Μεθόδων
(21st International Festival of Making Theatre, In.F.o.Ma.T. 2025)

30 Ιουνίου – 5 Ιουλίου 2025, στην έδρα του, 3ης Σεπτεμβρίου 19α, Αθήνα.
 
Στο φεστιβάλ συμμετέχουν σημαντικοί δημιουργοί από διάφορες χώρες  του κόσμου που έχουν την ευκαιρία να δείξουν τη δουλειά τους και να παρακολουθήσουν δουλειές συναδέλφων τους. Από την μακρινή Αργεντινή και την Σιγκαπούρη μέχρι την Ισλανδία και την Αίγυπτο κι από την Αυστραλία και το Ιράν μέχρι τις Η.Π.Α και την Ελλάδα.
 
Στο φετινό πρόγραμμα θα παρουσιάσουν τη δουλειά τους οι:
 
Analia Mayta, Argentina  - “From the Actor to the Character”
Tyrie K.Rowell, U.S.A. South Carolina – “Art in Motion: A Creative Journey”
Gamal Yakout, Egypt - “Let’s go Impro”
Gia Forakis, U.S.A. New York  - “One thought One Action (OTOA)”
Leela Alaniz, Singapore – “Developing an Author/Performer”
Mihaela Mihut, U.S.A. New York – “Act of Experiencing”
Rúnar Guðbrandsson, Iceland  – “Lab Loki´s Technique”
Phillip Mackenzie, U.K. / Australia  – “Secret. Rumour. Fact”
Ramona Shah, Iran  – “Create with RSVP cycles”
Monica Dudárov Hunken, U.S.A. New York –“The street is the Theatre: An adventure in site-specific Theatre”
Evdokimos Tsolakidis, Greece   - “Status games for actors and directors”


Το φεστιβάλ απευθύνεται σε ηθοποιούς, σκηνοθέτες, δασκάλους υποκριτικής και σκηνοθεσίας, σπουδαστές ωδείων και δραματικών σχολών σε όσους έχουν ένα ζωντανό ενδιαφέρον για τις παραστατικές τέχνες.
 
Οι ενδιαφερόμενοι θα πρέπει να στείλουν ένα μήνυμα με ένα σύντομο βιογραφικό στο This email address is being protected from spambots. You need JavaScript enabled to view it.  και θα λάβουν οδηγίες.
 
Το πρόγραμμα του φεστιβάλ είναι το ακόλουθο:

Δευτέρα 30 Ιουνίου : Ημέρα άφιξης

Τρίτη 1 - Παρασκευή 4 Ιουλίου (11 π.μ. – 9.00 μ.μ.)
Σεμινάρια, παραστάσεις, συζήτηση.

Σάββατο 5 Ιουλίου : Ημέρα αναχώρησης

Για το αναλυτικό πρόγραμμα πατήστε εδώ


Κόστος συμμετοχής (για όλα τα σεμινάρια):

140 ευρώ 

120 ευρώ : Για τους σπουδαστές του Θεάτρου των Αλλαγών

100 ευρώ : Για ομάδες (5+) ατόμων, για τους συμμετέχοντες προηγούμενων φεστιβάλ. 

50 ευρώ: Ακροατές.


Περισσότερες πληροφορίες και δηλώσεις συμμετοχής στα 210 5246833 και 210 5248251

καθώς επίσης και στο This email address is being protected from spambots. You need JavaScript enabled to view it. 

Τα αγγλικά είναι η επίσημη γλώσσα του φεστιβάλ.
 

Leela Alaniz, Singapore, 2025



Leela Alaniz, PhD, is a Franco-Brazilian director, actress, and pedagogue. She earned her Master’s and PhD in Philosophy and Theatre from Sorbonne Nouvelle University Paris III. She is currently a full-time Lecturer in Acting and Performance at LASALLE College of the Arts, University of the Arts Singapore. With over 25 years of experience in practice and research, Dr. Alaniz has performed and directed numerous plays, toured internationally, and taught courses across the US, Europe, India, Turkey, Singapore, and South America.

Her academic research centres on Practice-as-Research, a methodology that examines evolving actor training techniques. She has developed a unique training method that merges Jerzy Grotowski’s Organic Lineage with Etienne Decroux’s Corporeal Mime, emphasizing embodiment and artistic expression. Rather than focusing solely on interpretation, her approach empowers the actor-author, the actor as a creator, placing the devising process at the core of contemporary theatre. Her research on the Dynamo-Rhythm of Etienne Decroux has been published on Mime Journal: (2013). https://scholarship.claremont.edu/mimejournal/vol24/iss1/2/


Developing an Author/Performer


This workshop is based on the methodology developed by Leela Alaniz over the past 25 years, drawing from two distinct yet complementary approaches to actor training. The first approach is rooted in Grotowski’s Organic Lineage, which explores the body’s inner impulse and its creative potential. This organic research focuses on deepening physical awareness, energy flow, and emotional embodiment.
The second approach is Étienne Decroux’s Corporeal Mime, a rigorous physical technique that trains the body as an expressive instrument. Through articulation, weight, counterweight, and dynamo-rhythm, participants develop precision, structure, and mastery over movement. Although these techniques emphasize contrasting principles, organicity vs. rigor, they converge in key areas:
Scenic presence and heightened stage awareness
Energy flow and its role in expressive movement
Mastery of movement through technical precision
Emotional awareness and embodiment
Empowering the performer as both an actor and creatorBy bridging these methodologies, the workshop fosters a unique process where performers gain autonomy, refine their craft, and develop their creative voice as author/performers.
 

Ramona Shah, Iran 2025



Ramona Shah is an Iranian actress. She studied computer programming in Ajman college U.A.E and then she studied theatre acting during the Bachelor and theatre directing for the Masters.
She has been working as a professional actor and director for the past 30 years, “Directing the International Division of 33rd International Fadjr Theatre Festival”, being a juror in “9th Boska Comedia Theatre Festival in Poland/ Kraków, being nominated for best actor’s prize in “MICFF INDIA”, acting in “Light Spheres” theatre performance directed by zsofia Berczi a Hungarian Director, Directing a performance with Russian actors in the “4th Frame Work of the Accesse Point Theatre Festival” and lots of other films and theatre performances and workshops nationally and internationally.
 
Create with RSVP cycles*

In this master class we create theater pieces based on Anna and Laurence Halprin's RSVP cycles.
 
*RSVP cycles is a system of creative methodology for collaboration. It was developed by Lawrence Halprin and Anna Halprin. Lawrence Halprin presented the system in a 1969 book The RSVP Cycles: Creative Processes in the Human Environment. 
The name is an initialism referring to its four components:
Resources
Anything that can be used in the process, including time, physical materials, other people, ideas, limitations etc.
Score
Instructions for the work. This can be identified along a gradient scale of being an Open or a Closed score.
Valuaction
A process of dynamically responding to the work based on values.
Performance
Setting the work in motion.
 

Tyrie K.Rowell, South Carolina, U.S.A. 2024



Tyrie K. Rowell is an Adjunct Professor of Technical Theatre, Technical Director, and Financial Aid Coordinator at USC Lancaster. He currently holds a Master of Fine Arts with a Performance Creation Concentration (Goddard College), and a Bachelor of Arts with Leadership Distinctions in Professional and Civic Engagement (University of South Carolina). Mr. Rowell is a theatre performing artist, that sees himself as a storyteller; where he is most focused on the creation of characters that use the body, space, and language to identify with the theatre making process.
 
He breathes life and truth into his work. The words on his pages are his life, and the characters he portrays whether fictional or non-fictional, are his medium. A work of art like his, cannot choose its creator; the creator chooses the work. He is drawn to politics and social justice. These inspire him to create work from the perspective of Black Americans, and how their history can be used to amplify their voices on a major stage. His work is grounded in realism, but not bound by it.
 
 
The Inner Mastery through Movement
 
Are you ready to feel the beat and move to the rhythm of the streets? This workshop is designed for dancers of all levels, from beginners with no prior experience to seasoned dancers looking to expand their repertoire. This immersive and dynamic workshop will be deep-rooted in connections to the community of dance.
 
The students will have an opportunity to create a choreography dance from movement that they have created.  This will provide the participants with a new and critical perspective on movement, but it will also explore how movement can tell a story.
 

Tyrie K.Rowell, U.S.A. South Carolina, 2025



Tyrie K. Rowell is an Adjunct Professor of Technical Theatre, Technical Director, and Financial Aid Coordinator at USC Lancaster. He currently holds a Master of Fine Arts with a Performance Creation Concentration (Goddard College), and a Bachelor of Arts with Leadership Distinctions in Professional and Civic Engagement (University of South Carolina). Mr. Rowell is a theatre performing artist, that sees himself as a storyteller; where he is most focused on the creation of characters that use the body, space, and language to identify with the theatre making process.
 
He breathes life and truth into his work. The words on his pages are his life, and the characters he portrays whether fictional or non-fictional, are his medium. A work of art like his, cannot choose its creator; the creator chooses the work. He is drawn to politics and social justice. These inspire him to create work from the perspective of Black Americans, and how their history can be used to amplify their voices on a major stage. His work is grounded in realism, but not bound by it.
 
 
Art in Motion: A Creative Journey
 
Join me for a fun and creative experience where movement and creativity come together! In this interactive workshop, you’ll get to engage in movement that encourages free expression through dance and rhythm. Then, explore the art of shadow movement, where light and your body unite to tell a story.
 
Finally, let your body become a living work of art, where color and motion merge to create a unique, dynamic form of art.
 

 

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